Picasso
82 result(s)
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6017
Picasso
Paloma drawing alongside her father.
© David Douglas Duncan
6017
Picasso
Paloma drawing alongside her father.
© David Douglas Duncan
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6044
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
6044
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
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6045
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
6045
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
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6046
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
6046
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
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6047
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
6047
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
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6048
Picasso
Lump often finished meals snacking off Jacqueline or Pablo's plate.
© David Douglas Duncan
6048
Picasso
Lump often finished meals snacking off Jacqueline or Pablo's plate.
© David Douglas Duncan
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6049
Picasso
Portrait of Jacqueline; charcoal drawing and gold paper, 1957.
© David Douglas Duncan
01/01/1957 6049
01/01/1957
Picasso
Portrait of Jacqueline; charcoal drawing and gold paper, 1957.
© David Douglas Duncan
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6050
Picasso
Lump, the dachshund, was a favorite with Picasso who asked one day if he had his own plate: “Never?” This was quickly settled before he left for his ceramics kilns in nearby Vallauris. Villa La Californie, 1957.
© David Douglas Duncan
01/01/1957 6050
01/01/1957
Picasso
Lump, the dachshund, was a favorite with Picasso who asked one day if he had his own plate: “Never?” This was quickly settled before he left for his ceramics kilns in nearby Vallauris. Villa La Californie, 1957.
© David Douglas Duncan
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6052
Picasso
Jacqueline, in the basement used for printing, while Picasso, by the window, etches bullfighting scenes onto copper plates.
© David Douglas Duncan
6052
Picasso
Jacqueline, in the basement used for printing, while Picasso, by the window, etches bullfighting scenes onto copper plates.
© David Douglas Duncan
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6053
Picasso
Picasso’s latest works (oil on canvas portraits) which I discovered on returning from the States, 1957.
© David Douglas Duncan
01/01/1957 6053
01/01/1957
Picasso
Picasso’s latest works (oil on canvas portraits) which I discovered on returning from the States, 1957.
© David Douglas Duncan
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6054
Picasso
For the first time, Pablo Picasso agreed to being photographed while painting in his studio.
© David Douglas Duncan
6054
Picasso
For the first time, Pablo Picasso agreed to being photographed while painting in his studio.
© David Douglas Duncan
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6055
Picasso
Picasso, late at night, lit by spotlights, painting a portrait of Jacqueline.
© David Douglas Duncan
6055
Picasso
Picasso, late at night, lit by spotlights, painting a portrait of Jacqueline.
© David Douglas Duncan
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6056
Picasso
Picasso, late at night, lit by spotlights, painting a portrait of Jacqueline.
© David Douglas Duncan
6056
Picasso
Picasso, late at night, lit by spotlights, painting a portrait of Jacqueline.
© David Douglas Duncan
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6057
Picasso
Picasso, late at night, lit by spotlights, painting a portrait of Jacqueline.
© David Douglas Duncan
6057
Picasso
Picasso, late at night, lit by spotlights, painting a portrait of Jacqueline.
© David Douglas Duncan
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6060
Picasso
“Alone with Picasso, Villa La Californie, Cannes, 1960.” Portrait of David Douglas Duncan with Picasso on the inside of the dust jacket of his book Picasso Paints a Portrait.
Photo by Gjon Mili.
© David Douglas Duncan
01/01/1960 6060
01/01/1960
Picasso
“Alone with Picasso, Villa La Californie, Cannes, 1960.” Portrait of David Douglas Duncan with Picasso on the inside of the dust jacket of his book Picasso Paints a Portrait.
Photo by Gjon Mili.
© David Douglas Duncan
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6061
Picasso
Picasso and Jacqueline left Vauvenargues and returned to La Californie within six months, but kept the château as a secret retreat. At La Californie, Jacqueline played a vital part in the artist's life, helping tirelessly and silently on canvas-signing days, until the final “K” (Kahnweiler) was printed on works for Paris. Early 1960s.
© David Douglas Duncan
01/01/1960 6061
01/01/1960
Picasso
Picasso and Jacqueline left Vauvenargues and returned to La Californie within six months, but kept the château as a secret retreat. At La Californie, Jacqueline played a vital part in the artist's life, helping tirelessly and silently on canvas-signing days, until the final “K” (Kahnweiler) was printed on works for Paris. Early 1960s.
© David Douglas Duncan
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6063
Picasso
Several weeks after shooting the close-up of the artist’s eyes, David Douglas Duncan mounted two enlargements on canvases hoping Picasso would sign them, but he refused. He then picked up his sketch pad, tore out two pages, reached for his scissors and charcoal, and in a couple of minutes finished two self-portraits as an owl.
© David Douglas Duncan
6063
Picasso
Several weeks after shooting the close-up of the artist’s eyes, David Douglas Duncan mounted two enlargements on canvases hoping Picasso would sign them, but he refused. He then picked up his sketch pad, tore out two pages, reached for his scissors and charcoal, and in a couple of minutes finished two self-portraits as an owl.
© David Douglas Duncan
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6064
Picasso
Picasso’s self-portrait as an owl, a collage of Duncan's photograph of Picasso's eyes, glued to a canvas and covered by a paper and charcoal owl by Picasso.
© David Douglas Duncan
6064
Picasso
Picasso’s self-portrait as an owl, a collage of Duncan's photograph of Picasso's eyes, glued to a canvas and covered by a paper and charcoal owl by Picasso.
© David Douglas Duncan
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6066
Picasso
Pablo Picasso in his bathtub on the first day we met. Villa La Californie.
© David Douglas Duncan
6066
Picasso
Pablo Picasso in his bathtub on the first day we met. Villa La Californie.
© David Douglas Duncan
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6067
Picasso
Picasso upstairs with his pigeons in the Villa La Californie.
© David Douglas Duncan
6067
Picasso
Picasso upstairs with his pigeons in the Villa La Californie.
© David Douglas Duncan
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6069
Picasso
Jean Cocteau, greeted by Picasso disguised as an Italian clown.
© David Douglas Duncan
6069
Picasso
Jean Cocteau, greeted by Picasso disguised as an Italian clown.
© David Douglas Duncan
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6070
Picasso
Yan and Lump guarding the villa while Picasso took his family to see his old studio in Vallauris.
© David Douglas Duncan
6070
Picasso
Yan and Lump guarding the villa while Picasso took his family to see his old studio in Vallauris.
© David Douglas Duncan
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6071
Picasso
Jacqueline and Picasso dressed in Spanish garb.
© David Douglas Duncan
6071
Picasso
Jacqueline and Picasso dressed in Spanish garb.
© David Douglas Duncan
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6072
Picasso
With Jacqueline in the garden.
© David Douglas Duncan
6072
Picasso
With Jacqueline in the garden.
© David Douglas Duncan
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6074
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
6074
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
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6075
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
6075
Picasso
After Picasso ate the sole, he used the skeleton to make a plate.
© David Douglas Duncan
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6076
Picasso
Picasso checking the color on each plate coming out of the kiln
© David Douglas Duncan
6076
Picasso
Picasso checking the color on each plate coming out of the kiln
© David Douglas Duncan
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6077
Picasso
Picasso, with his son Paul, and Jacqueline, in Arles.
© David Douglas Duncan
6077
Picasso
Picasso, with his son Paul, and Jacqueline, in Arles.
© David Douglas Duncan
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6078
Picasso
Master printer Jacques Frelaut, Picasso, Jacqueline, and Jaime Sabartes looking at the latest proof of matador Pepe Illo, in the basement of Villa La Californie, 1957.
© David Douglas Duncan
01/01/1957 6078
01/01/1957
Picasso
Master printer Jacques Frelaut, Picasso, Jacqueline, and Jaime Sabartes looking at the latest proof of matador Pepe Illo, in the basement of Villa La Californie, 1957.
© David Douglas Duncan
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6080
Picasso
Picasso and Jacqueline.
© David Douglas Duncan
6080
Picasso
Picasso and Jacqueline.
© David Douglas Duncan
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6082
Picasso
Picasso, late at night, lit by spotlights, painting a portrait of Jacqueline.
© David Douglas Duncan
6082
Picasso
Picasso, late at night, lit by spotlights, painting a portrait of Jacqueline.
© David Douglas Duncan
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6086
Picasso
Picasso’s children, Claude and Paloma, often took over the villa for their games, turning the studio into a gymnasium or theater. Picasso always liked to wear Gary Cooper’s Stetson.
© David Douglas Duncan
6086
Picasso
Picasso’s children, Claude and Paloma, often took over the villa for their games, turning the studio into a gymnasium or theater. Picasso always liked to wear Gary Cooper’s Stetson.
© David Douglas Duncan
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6088
Picasso
Picasso at his work table, busy with a new project. The sculpture resembles an ancient fertility god. Villa La Californie, 1957.
© David Douglas Duncan
6088
Picasso
Picasso at his work table, busy with a new project. The sculpture resembles an ancient fertility god. Villa La Californie, 1957.
© David Douglas Duncan